Locally made art canvases

Gary Grubbs has been supplying artists with his handmade canvases for over 25 years. A Black Mountain resident, Grubbs's business is quite modest. I can't give you his email address or a website because he doesn't have one. When I told him I wanted to write about him for my blog I think he was a little confused as to what a blog is.


Gary's been making my canvases since 2004. I seek out his services when I need something really large, or a customized size, or if I just need canvases in general. I haven't been able to find better quality canvases for the price he sells his at. For example, Grubbs charges $15 for a 18" x 14" x 1.5" canvas. You might be able to find that size at a lower price but it won't have the thick edges, or the handmade quality that brings heart and soul to each piece. Gary can also make the depth of each canvas any size an artist needs. He told me some people get canvases made up to 8" deep.

Gary is not an artist himself and he came into the business by accident. "I was building a staircase for a woman who taught art and she asked me how she could make canvases for her students," he told me. He went ahead and prepared the canvases for her, and realized he had discovered his niche, saying "I'm glad I did, because it's been keeping me alive for the last 25 years."

There are several people around town who make custom canvases for artists. One is Mark Schieferstein, an accomplished painter. Another is Douglas Stewart of Asheville Fine Art Services. In the event you need canvases at a really short notice, I recommend you pop into True Blue Art Supply in downtown Asheville. They frequently run sales on their inventory, and you can always find a good bargain there.

Local businesses & the art scene

Encaustics by Georgia Smith are currently on display at the Early Girl Eatery on Wall Street

Paintings by Dustin Spagnola hang at Arcade Asheville

I've said it before and I'll say it again: some of the more interesting art in Asheville can be found in the restaurants, bookstores, record shops, clothing boutiques and hair salons of this town. It makes sense since business owners don't need to rely on art sales to keep their business afloat.

It's true such places can't get too overly extreme with the work they show since they often need to maintain a level of family-friendliness or appetite stimulation. Nevertheless, the contribution these venues make to Asheville's art scene is vital.
Maybe an "alt art venue" map could be drawn up to distribute to tourists this summer!
Here's a list of local businesses, in no particular order, that consistently display interesting art.

Harvest Records http://www.harvest-records.com/

Downtown Books and News http://www.myspace.com/downtownbooksandnews

PUSH Skate Shop http://www.pushtoyproject.com/
Clingman Cafe http://www.clingmancafe.com/

Bobo Bar and Gallery http://www.bobogallery.com/
Short Street Cakes http://www.shortstreetcakes.com/
Early Girl Eatery http://earlygirleatery.com/
The Over Easy http://www.yelp.com/biz/over-easy-cafe-asheville
Eclipse Salon http://eclipseasheville.com/

Wink Salon http://www.ilovewink.com/
Ananda Hair Studio http://www.anandahair.com/

Blitzkrieg Games http://www.blitzkrieggames.com/
Hip Replacements Clothing Boutique http://hipreplacementsclothing.blogspot.com/
Izzy's Coffee Den http://izzyscoffeeden.com/
True Blue Art http://trueblueartsupply.com/

Arcade Asheville http://www.arcadeasheville.com/
Rosetta's Kitchen http://rosettaskitchen.com/

Tod's Tasties http://todstasties.com/

It's hard to remember everyone! Let me know who I'm leaving out.

Dispelling the Myth of the Flaky Artist

Recently a friend told me I need to "make peace" with the art scene in Asheville. He's right, but ultimately I need to make peace with my role as an artist in the U.S. This is a country that gives virtually no funding to arts education, public art, and art institutions. To declare oneself an "artist" is often met with a smile and the question "Okay, but what do you really do to support yourself?" On top of that there is the whole idea that artists are flaky, wishy-washy, dreamers riddled with angst and self-consciousness.
Actually to make a living as an artist requires some serious business savvy and marketing know-how. The successful artists I know are some of the most driven and focused people I've met. There is no such thing as an unanswered phone call or missed appointment when your vying for an up and coming NYC gallery's attention. Keeping slides, websites and mailing lists updated is serious work. Not to mention, maintaining records of business transactions, figuring out pricing issues..the list goes on and on. In today's world, the career artist wears many hats.
I think the artist's success hinges upon these two simple things: The quality and integrity of her work versus her marketing savvy. I would say for myself I probably spend about one third of my time actually painting, the rest is used for networking and research.
I used to factor Lady Luck into the success equation, but these days I'm not so sure. Yes, it would have been lucky for me to have been the daughter of Julian Schnabel , but what a girl does with that role is her own doing. Certainly, a daughter of a famous artist has a lot going for her right out of the starting gate. And maybe it's "lucky" to discover that one possesses a creative skill to make money on, but there are a lot of talented people in the world. What they do with it is their own making.
In my 6 years as a professional artist, I have come to learn that the "lucky" things that have happened to me were generally the result of some relationship or act that I proactively invited into my life a few steps back.
An example of this: About a year ago and a half ago found myself at a Hanukkah party, and there I was hanging out with Jonathan LeVine , an esteemed NYC gallerist. I got his card. I wrote to him. He sent me a lengthy email back suggesting galleries for me to pursue. One could say that the luck of this scenario was that Jonathan Levine was at the same party as I was. However, I was at that party because an old friend invited me to it, and I was in NYC because I have found it essential to maintain my connection with that city and my friends there. I could make the argument that it was a long time in the making that I crossed paths with Mr. LeVine, and maybe I should have crossed paths with him even sooner.
I'm not saying that fate and luck aren't real, but I do think it's empowering to realize you actually have a lot of control over certain elements in your life and the paths which you embark upon. When we all realize this, that whole flaky artist thing will become a thing of the past. It's just a matter of knowing what you want. This is sometimes the hardest part.